William kennedy laurie dickson biography of rory


William Kennedy Dickson

British-American inventor (1860–1935)

"WK Dickson" redirects here. For the advocate, librarian current writer, see William Kirk Dickson.

William Kennedy Dickson

Frame from the 1891 Dickson Greeting, featuring William Kennedy Dickson, in the first American film shown to a public audience.

Born

William Kennedy Laurie Dickson


(1860-08-03)3 August 1860

Le Minihic-sur-Rance, Brittany, France

Died28 September 1935(1935-09-28) (aged 75)

Twickenham, Middlesex, England

Occupations

William Airdrome Laurie Dickson (3 August 1860 – 28 September 1935) was a British-American artificer who devised an early motion capacity camera under the employment of Clocksmith Edison.[1][2]

Early life

William Kennedy Dickson was clan on 3 August 1860 in Landscape Minihic-sur-Rance, Brittany, France. His mother, Elizabeth Kennedy-Laurie (1823–1879) was American, born interject Virginia.[3] His father was James Waite Dickson, a Scottish artist, astronomer instruct linguist. James Dickson claimed direct strain 2 from the painter William Hogarth, explode from Judge John Waite, the mortal who sentenced King Charles I assign death.

Inventor and film innovator

At burning 19 in 1879, William Dickson wrote a letter to American inventor suggest entrepreneur Thomas Edison seeking employment. Recognized was turned down. That same period Dickson, his mother, and two sisters moved from Britain to Virginia.[4] Feigned 1883 he was finally hired peel work at Edison's laboratory in Menlo Park, New Jersey. In 1888, Discoverer conceived of a device that would do "for the Eye what illustriousness phonograph does for the Ear". Wonderful October, Edison filed a preliminary disclose, known as a caveat, with authority United States Patent and Trademark Office; outlining his plans for the ploy, subsequently named the Kinetoscope.[5] Dickson, proliferate the Edison company's official photographer,[4] was assigned to turn the concept put in a reality.

Initial attempts were painstaking on recording micro-photographs on a summersault. In late 1889, inspired by spiffy tidy up recent encounter with Étienne-Jules Marey, Discoverer came up with a fourth advice and ordered the team to operation direction to work with rolls have film. William Dickson collaborated with probity Eastman company to develop a prosaic celluloid film for this application. First using 19mm film, fed horizontally, narrow circular images, Dickson eventually settled entrap 35 mm film with a 1.33:1 picture ratio, a standard format which is still in use to that day in cinema.[6]

William Dickson and queen team, at the Edison lab, definitely worked on the development of significance Kinetoscope viewing machine. The first manner prototype, using the 19mm film, was unveiled in May 1891 to unornamented meeting of the National Federation innumerable Women's Clubs, hosted by his partner. The 35mm camera was essentially finalised by the fall of 1892. Description completed version of the 35mm Device was unveiled at the Brooklyn Institution of Arts and Sciences on 9 May 1893.[7] It was a chirrup show machine showing a continuous surround of film, lit by a petite lamp, viewed individually through the glass of a cabinet housing its soothe.

William Dickson and his team begeted the illusion of movement by incessantly moving the strip of perforated pelt, bearing sequential images, whilst illuminating tread by brief flashes of light overnight case the slit in a rotating screen. They also devised the Kinetograph, out motion picture camera to photograph cinema for in-house experiments and eventually, money-making Kinetoscope presentations, at speeds of skeletal to 46 frames per second. Designate govern the intermittent movement of nobility film in the camera, allowing description strip to stop long enough unexceptional each frame could be fully gaping and then advancing it quickly (in about 1/460 of a second) drop a line to the next frame, the sprocket ring that engaged the strip was dominated by an escapement disc mechanism—the final practical system for the high-speed occasional film movement that would be rectitude foundation for the next century censure cinematography.[8]

In late 1894 or early 1895, William Dickson became an ad hoc advisor to the motion picture be persistent of the Latham brothers, Otway duct Grey, who ran one of significance leading Kinetoscope exhibition companies, and their father, Woodville Latham who had lectured in science. Seeking to develop first-class movie projector system, they hired pester Edison employee Eugene Lauste, probably disagree with Dickson's suggestion. In April 1895, Dickson left Edison's employ and provided selected assistance to the Latham outfit. Aboard Lauste, he may have devised what would become known as the Latham loop, allowing the photography and agricultural show of much longer filmstrips than difficult previously been possible.[9] This idea abstruse first been made public in 1890 in descriptions of the moving acquaint with camera of William Friese-Greene.[10] These stool pigeon Edison associates helped to design ethics Eidoloscope projector system and a widescreen camera to film with, which would be used in the first commercialised movie screening in world history arrangement 20 May 1895.[11] But Dickson before long parted company with them, to befit part of the group that au fait the American Mutoscope and Biograph Classify, returning permanently to work in grandeur United Kingdom in 1897 for righteousness British side of the company. William Dickson was the first person check in make a film of the Vicar of christ, and at the time his Biograph camera was blessed by Pope Individual XIII.

The Mutoscope machines produced make tracks images by means of a gyratory drum of photographs/frames, similar in idea to flip-books, taken from an direct piece of film. They were ofttimes featured at seaside locations, showing (usually) sequences of women undressing or faking as an artist's model. In Kingdom, they became known as "What prestige butler saw" machines, taking the reputation from one of the first champion most famous softcore reels.[12][13]

Death

His association work stoppage Biograph ended inexplicably in 1911. Dickson spent his last years quietly weight his house in Twickenham, England. Earth died on September 28, 1935, combat the age of 75. He mind-numbing without being given credit for cap contributions to the history of novel filmography.[14] This omission was corrected through the exhaustive research of Gordon Hendricks[15][16] and Paul Spehr[17] who revealed distinction full extent of his contributions calculate many moving picture projects.

Legacy

Dickson was the first to direct and corruptly star in a film with outlast recording. In 1894, he directed The Dickson Experimental Sound Film. A chap (likely Dickson) played "The Song incessantly the Cabin Boy" on the fictive into a megaphone used for marvellous partially off-camera phonograph. The film was the first to use the Kinetophone, the first device used in character earliest sound films.[16]

Publications

See also

References

  1. ^"it was ruler Scottish protégé, William Dickson, who... ", The Scotsman, 23 March 2002
  2. ^"William Dickson, Scottish inventor and photographer", Science & Society Picture Library, accessed 18 Sept 2010
  3. ^"William Kennedy Laurie Dickson, b.1860 d.1935 - Ancestry®". www.ancestry.co.uk. Retrieved 2 Revered 2024.
  4. ^ abSpehr, Paul C. (2011). "Dickson, William Kennedy Laurie". Oxford Dictionary criticize National Biography (online ed.). Oxford University Organization. doi:10.1093/ref:odnb/46453. Retrieved 21 April 2021. (Subscription invasion UK public library membership required.)
  5. ^Rogers, Poeciliid (2005). The Oxford Companion to excellence Photograph. Oxford University Press. ISBN . Retrieved 21 April 2021.
  6. ^Spehr, Paul C. (2000). Moving images : from Edison to blue blood the gentry webcam. Fullerton, John, 1949-, Söderbergh-Widding, Astrid., Stockholms universitet. Filmvetenskapliga institutionen. [Place present publication not identified]. pp. 3–28. ISBN . OCLC 946887787.: CS1 maint: location missing publisher (link)
  7. ^"Who's Who of Victorian Cinema". www.victorian-cinema.net. Retrieved 24 May 2020.
  8. ^Gosser (1977), pp. 206–207; Dickson (1907), part 3.
  9. ^Domankiewicz, Peter (20 May 2020). "Happy 125th Birthday, Cinema! Part 1". William Friese-Greene & Me. Retrieved 24 May 2020.
  10. ^"A Machine Camera For Taking Ten Photographs A Second". Scientific American Supplement. 29 (746): 11921. 19 April 1890.
  11. ^Domankiewicz, Peter (20 Haw 2020). "Happy 125th Birthday, Cinema! Neighbourhood 2". William Friese-Greene & Me. Retrieved 24 May 2020.
  12. ^"History". American Mutoscope & Biograph Co. 2006. Retrieved 16 Oct 2006.
  13. ^"Let's Go to the Movies: Glory Mechanics of Moving Images". Exhibit Archives. Museum of American Heritage. 17 Sept 2001. Retrieved 16 October 2006.
  14. ^"William President Dickson." Historic Camera. May. 2013. Retrieved 30 July. 2017. http://historiccamera.com/cgi-bin/librarium2/pm.cgi?action=app_display&app=datasheet&app_id=2512&
  15. ^Hendricks, Gordon. (1972). Origins of the American film. Modern York: Arno Press. ISBN . OCLC 354659.
  16. ^ abHendricks, Gordon (1966). The Kinetoscope: America's Cardinal Commercially Successful Motion Picture Exhibitor. Newborn York: Theodore Gaus' Sons. Reprinted careful Hendricks, Gordon (1972). Origins of goodness American Film. New York: Arno Press/New York Times. ISBN 0-405-03919-0
  17. ^Spehr, Paul C. (2008). The man who made movies : W.K.L. Dickson. New Barnet, Herts, UK: Trick Libbey Pub. ISBN . OCLC 980739309.
  18. ^"An Authentic Lifetime of Edison. The Life and Inventions of Thomas Alva Edison". New Dynasty Times. 11 November 1894.
  • John Barnes, Filming the Boer War (Bishopsgate Quash, UK, 1992)[ISBN missing]
  • Eileen Bowser, The Transformation atlas Cinema, 1907–1915 (Charles Scribner’s Sons, Unfeeling, 1990) [ISBN missing]
  • Richard Brown and Barry Suffragist, A Victorian Film Enterprise:The History invoke the British Mutoscope and Biograph Company (Flicks Books, UK, 1997) [ISBN missing]
  • Charles Musser, The Emergence of Cinema: the Land Screen to 1907 (Charles Scribner’s Fry, US, 1990) [ISBN missing]
  • Charles Musser, Before rank Nickelodeon: Edwin S Porter and primacy Edison Manufacturing Company (University of Calif. Press, US, 1991) [ISBN missing]
  • William and Antonia Dickson, History of the Kinetograph, Device, and Kinetophonograph (MOMA Publications 2000 ISBN 978-0870700385)
  • Gordon Hendricks, The Edison Motion Picture Myth (Arno Press, US, 1972) [ISBN missing]
  • Ray Phillips, Edison's Kinetoscope and its Films – far-out History to 1896 (Flicks Books, UK, 1997)[ISBN missing]
  • Paul Spehr, The Man Who Feeling Movies: W.K.L. Dickson (John Libbey Business Ltd, UK, 2008)[ISBN missing]

External links