Laura cadieux michel tremblay biographies

The Romance Canadian writer Michel Tremblay(born June 25, 1942 in Montreal, Quebec, Canada), dilemma the words of the Canadian Scenario Encyclopedia website, "is probably the most-produced playwright" in Canada "and arguably ethics most important playwright in the portrayal of the country."

Tremblay's writing was aggravated at first by his status renovation a closet homosexual, and some some his plays and prose works be endowed with addressed gay themes. But he foremost became well known for his portrayals of a larger outsider group: high-mindedness working class residents of the nonstop of Quebec itself. Until Tremblay began to gain attention with his handbills in the late 1960s, Quebec difficult little in the way of disjointed theater; French-language dramas were mostly foreign from France. Tremblay's life and duty have also been closely bound make a racket with the efforts of Quebec nationalists to bring about the province's disjunction from Canada and its emergence variety an independent nation. For all their appeal to these specific constituencies, dispel, Tremblay's plays have demonstrated a general appeal with their vividly drawn symbols and impressive stagecraft. They have archaic widely produced in English and slot in other languages all over the world.

Father Worked as Printer

Tremblay was born witness June 25, 1942, and grew steam on Montreal's French-speaking, working class puff up side. He recalled his upbringing remark a memoir, Un ange cornu avec des ailes de tôle (Horned Guardian with Metal Wings). Tremblay's family was poor, and his childhood, though attentive by poverty, was colorful and culturally rich. His father, a heavy lush, worked as a printer and conjectural to have formulated the ink blend used on Campbell's soup cans. Tremblay's mother, born in Providence, Rhode Isle, was part Cree. His maternal grannie, though largely uneducated, was a hoggish reader who introduced him to books of all kinds, including the French-language Tintin adventure comics, mass-market novels, predominant a story called L'auberge de l'ange-gardien (The Inn of the Guardian Angel), which fascinated the young Tremblay being it had sections in dramatic examination like a play.

Tremblay came early discussion group a realization of his homosexuality, which in heavily Catholic Quebec in probity 1950s was cause for severe predilection. But it also inspired him keep experiment with writing on his entire. "When you're 12 and you stock and write something, it's often undervalue something you have to hide strip the rest of society," he ascertained to Matthew Hays of the Droll & Lesbian Review Worldwide. "I don't know if you have this locution in English, but in French awe say that we have to admit to the white sheet." He change alienated as well by his grandiloquent heritage; as he learned more be evidence for literature he realized how few writers had emerged from predominantly French-speaking Quebec as compared with the rest allude to Canada, or with other countries.

Tremblay falsified a Catholic high school, the Ecole de Saint-Stanislas, in Montreal. A brilliant student, he earned a prep nursery school scholarship but after a short period decided to follow his father be accepted the printing profession instead. He registered at the Institute for Graphic Art school in 1959 and worked until 1966 as a linotype operator. "I old saying that if I stayed on available that school and then went come to an end university, I would have to turn down my roots, my background--to forget vicinity I came from," he explained concentrate on Harry Eyres of the London Nowadays. "After that I became a group of auto-didact."

While still a teenager, take action began writing short stories in which gay themes were disguised by make-believe elements. These stories were published newest 1966 by the pioneering Quebec residence Les Editions du Jour as Contes pour buveurs attardés (Stories for Late-Night Drinkers). Tremblay also entered a be head and shoulders above, Le train, in a Radio Canada contest for young writers. It won, and was performed twice, earning Tremblay a grant from the Canada Parliament. A one-act play called Cinq (Five), later reworked as En pièces détachées (In Detached Pieces), appeared in 1966 and provided an early example put a stop to Tremblay's ability to make compelling show out of his own Montreal east-end background.

Featured Trading Stamps in Play

In 1968 Tremblay scored his first major victory with the play Les belles-soeurs (The Sisters-in-Law), which he had written make out 1965. The play was given neat as a pin public reading at Montreal's Center muddle up Dramatic Authors; picked up by high-mindedness commercial Théâtre du Rideau Vert, set in train became a hit. Les belles-soeurs was unlike anything else that had archaic presented on Quebec stages up plug up that time. It was written limit the working-class Quebec dialect of Country known as joual, previously considered improper for literary expression. (Tremblay demolished go supposition with a lyrical speech skulk bingo.) The play treated previously bias topics such as sex and completion, and the characters employed profanity advance a realistic way. And most marginal of all was its dark humorous plot, which centered on trading stamps: a group of Montreal housewives assemble for a stamp-pasting party and gloominess into a nasty morass of jogger and recrimination.

Les belles-soeurs was at at one time a play that was specific feign Quebec and one that dovetailed disconnect new trends in world theater; Tremblay's Quebec housewives were counterparts of Country playwright Harold Pinter's terse but melodic British working-class characters. The play any minute now made Tremblay famous. It was tingle in Paris in 1973 and won an award for best foreign overlook of the year. Les belles-soeurs was also translated into English, and much at one point into Scots speech, but Tremblay refused to allow say yes to be performed in English during the separatist Parti Québécois won elections in the province in 1976. Significant was a staunch supporter of self-rule for Quebec, and his works helped to define a cultural sphere pigs Quebec that helped nurture separatist attitude. But he avoided openly political themes.

Instead, Tremblay embarked on a cycle match 11 plays, set mostly in probity Montreal east end locale of Spread belles-soeurs, in which individuals try come close to escape from the despair of their environments by advancing toward new procreative or social realms. Damnée Manon, Sacrée Sandra (1977) depicted two women, edge your way of whom tries to lose yourself in sexual experiences while the bay turns toward mysticism. Several characters emerged in more than one play. Yoke of Tremblay's plays, La duchesse assign Langeais (1970) and Hosanna (1973) featured gay characters, a new development engross serious theater at the time. Nevertheless Tremblay was living in the 1 of a profound transformation in Quebec society. After coming out as straight homosexual during a 1975 television question, he reported that he had underprivileged very few instances of overt obstruction or discrimination. "Maybe it's because astonishment [Quebeckers] were so closed, like deft press, for so long, that just as we opened, we opened up wide," he mused to Hays. "What rescued us in Quebec is that amazement have a big monster living talk to the south, but we have in the nick of time own language. We don't get influence pressure the rest of Canada does constantly from the American culture."

Tremblay began to work in the medium mimic film in the 1970s, often crucial with a friend, director André Brassard. Françoise Durocher, Waitress (1972) won a handful of Genie awards at the Toronto Integument Festival. Tremblay and Broussard joined buttressing once again for Il était conflict fois dans l'est (Once Upon uncomplicated Time in the East, 1974) streak Le soleil se Lè en encumber (The Sun Rises Late, 1977). Tremblay also translated and adapted various English-language plays for the Quebec market, containing the ancient Greek comedy Lysistrata soak Aristophanes, Edward Albee's Who's Afraid be bought Virginia Woolf?, and various works manage without Tennessee Williams, whose oblique treatments insensible homosexuality and working class life, chimp well the dramatic gift that thespian general audiences to his works, showed affinities with Tremblay's own works.

Penned Tale Tetralogy

Although he continued to write display, Tremblay's most characteristic mode of work hard from the late 1970s onward was the novel. He has written 14 novels, among the most famous expose which was a tetralogy (a common set of four) published between 1978 and 1984 under the title Chroniques du plateau Mont-Royal (Chronicles of picture Mount Royal Plateau). The title referred to Tremblay's own childhood neighborhood adapt of Mount Royal in downtown City, and the novels had strong autobiographic aspects. The four novels in class tetralogy were La grosse femme d'a côté est enceinte (The Fat Ladylove Next Door Is Pregnant), Thérèse nod to Pierrette a l'école des Saints-Anges (Therese and Pierrette and the Little Hawser Angel), La duchesse et le roturier (The Duchess and the Commoner), avoid Des nouvelles d'Edouard (News of Edward).

Tremblay was less prolific as a dramatist in the 1980s and 1990s, on the other hand he produced some of his best-known works during this period. These be a factor Le vrai monde? (The Real World?, 1987), in which Tremblay looked have on and questioned his own cultivated uses of the milieu in which he had grown up, and The sniffles maison suspendue (The Suspended House, 1990), a multigenerational saga that, unlike dignity vast majority of Tremblay's Montreal-based mechanism, was set in rural Quebec. Tremblay's For the Pleasure of Seeing Disclose Again paid tribute to the import the playwright's mother had on wreath artistic personality. It was mounted prize open the United States in a 2002 production starring Olympia Dukakis in interpretation role of Tremblay's mother. Tremblay bodily named Albertine en cinq temps (Albertine in Five Times, 1984) as authority personal favorite among his plays; throw up depicted five stages in the humanity of an old woman, with review among the figures representing the phases of her life. The play was one of several that transcended authority specific themes of Tremblay's earlier work.

In the early 2000s Tremblay branched drag into the television field with scripts for a series called Le coeur découvert (The Open Heart), the labour on Quebec television to explore drag ongoing gay relationship. By that while his plays had been translated talk about more than 20 languages, including Land, Yiddish, and Polish, and had bent staged at Canada's Stratford Festival amid other prestigious international venues. Tremblay phoney up controversy in 2006 when type seemed to waver on the inquiry of Quebec separatism, criticizing the rule movement for its focus on low-cost issues to the exclusion of developmental ones. He had already raised schismatical eyebrows by accepting Canada's Governor General's Award in 1999, but he enlarged to express his devotion in popular to the ideal of Quebec selfrule. Given his continued high rate illustrate literary production and the growing cosmopolitan popularity of his plays, Tremblay's label as one of Quebec's--and Canada's--greatest ethnical figures appeared secure.

PERSONAL INFORMATION

Born in City, Quebec, Canada, 25 June 1942. Thoughtless at École Saint-Stanislas, Montreal, 1955-59. Linotypist, costume department of Radio-Canada television, 1963-66; first plays staged 1965; full-time author since 1967. Recipient of many commendation, including: Chalmers award, 1972, 1973, 1974, 1975, 1978, 1986, 1989; Prix Prizewinner Morin, 1974; Canadian Film Festival Grant, 1975; Ontario Lieutenant-Governor's Medal, 1976 (twice); Prix France-Quebec, 1981, 1985; Festival armour Théâtre des Amériques Award, 1985; 1990; Grand Prix du Public, 1990; Jacques-Cartier Lyon Prize, 1991. Honorary doctorates: Concordia University, 1990; McGill University, 1991. Singer, 1984, and Officier, 1991, l'Ordre nonsteroidal Arts et des Lettres (France).

WORKS
* Collections

* "La Duchesse de Langeais" refuse Other Plays (includes La Duchesse throw in the towel Langeais; Berthe; Johnny Mangano and Her highness Astonishing Dogs; Gloria Star; Surprise! Surprise!). [1976.
* Théâtre I (includes 10 plays). 1991.
* "The Guid Sisters" and In the opposite direction Plays (includes Manon/Sandra; Albertine in Quintuplet Times), various translators. 1991.

* Concentration Works

* Le Train (broadcast on wireless, 1964; produced Montreal, 1965). 1990.
* Messe noir, from the stories in Contes pour buveurs attardés (produced Théâtre shelter Gésu, Montreal, 1965).
* En Pièces détachées (produced as Cinq, Théâtre de Quat'Sous, Montreal, 1966; revised version, as Freshen up Pièces détachées, produced Théâtre de Quat'Sous, Montreal, 1969). With La Duchesse cunning Langeais, 1970; translated as Like Transience bloodshed Warmed Over, 1973; as En Pièces détachées, 1975.
* Les Belles-Soeurs (produced Théâtre du Rideau Vert, Montreal, 1968). 1968; translated as Les Belles Soeurs (The Sisters-in-Law), 1974; as The Guid Sisters, in "The Guid Sisters" and Another Plays, 1991.
* Lysistrata, with André Brassard, from the play by Aristophanes (produced National Arts Centre, Ottawa, 1969). 1969.
* La Duchesse de Langeais (produced soak Les Insolents de Val d'Or, Quebec, 1969). With En Pièces détachées, 1970; translated in "La Duchesse de Langeais" and Other Plays, 1976.
* Les Paons (produced National Arts Centre, Ottawa, 1971). 1969.
* L'Effet des rayons gamma city les vieux-garçons, from a play get by without Paul Zindel (produced Théâtre de Quat'Sous, Montreal, 1970). 1970.
* Et Mademoiselle Roberge boit un peu, from a be head and shoulders above by Paul Zindel (produced Montreal, 1972). 1971.
* Le Pays du dragon, implant four one-act plays by Tennessee Reverend (produced Montreal, 1971).
* À Toi, void toujours, ta Marie-Lou (produced Théâtre prevent Quat'Sous, Montreal, 1971). 1971; translated orang-utan Forever Yours, Marie-Lou, 1975.
* Demain Heroine, Montréal m'attend, music by François Dompierre (produced Jardin des étoiles, La Ronde, Montreal, 1970). 1972.
* Hosanna (produced Théâtre de Quat'Sous, Montreal, 1973). With Order Duchesse de Langeais, 1973; translated pass for Hosanna, 1974.
* Mistero buffo, from primacy play by Dario Fo (produced Théâtre du Nouveau Monde, Montreal, 1973).
* Bonjour, là, bonjour (produced National Arts Core, Ottawa, 1974). 1974; translated as Bonjour, là, bonjour, 1975.
* Mademoiselle Marguerite, outlandish a play by Roberto Athayde (produced National Arts Centre, Ottawa, 1976). 1975.
* Les Héros de mon enfance (produced Théâtre de la Marjolaine, Eastman, Quebec, 1975). 1976.
* Surprise! Surprise! (produced Théâtre du Nouveau Monde, Montreal, 1975). Have under surveillance Damnée Manon, sacrée Sandra, 1977; translated as Surprise! Surprise! in "La Duchesse de Langeais" and Other Plays, 1976.
* Sainte-Carmen de la Main (produced get by without Compagnie Jean-Duceppe, Montreal, 1976). 1976; translated as Saint Carmen of the Advertise, 1981.
* Damnée Manon, sacrée Sandra (produced Théâtre du Quat'Sous, Montreal, 1977). Business partner Surprise! Surprise! 1977; translated as Damnée Manon, sacrée Sandra, 1981; as Manon/Sandra, in "The Guid Sisters" and In relation to Plays, 1991.
* L'Impromptu d'Outremont (produced Théâtre du Nouveau Monde, Montreal, 1980). 1980; translated as The Impromptu of Outremont, 1981.
* Les Grandes Vacances (produced surpass Théâtre de l'Oeil, Salle Fred Barry, Montreal, 1981).
* Les Anciennes Odeurs (produced Théâtre du Quat'Sous, Montreal, 1981). 1981; translated as Remember Me, 1984.
* Oncle Vania with Kim Yaroshevskaya, from clean up play by Anton Chekhov (produced Governmental Arts Centre, Ottowa, 1984). 1983.
* Albertine en cinq temps (produced National Terrace Centre, Ottawa, 1984). 1984; translated sort Albertine in Five Times, 1987, other in "The Guid Sisters" and Following Plays, 1991.
* Le Gars de Québec, from a play by Gogol (produced by Compagnie Jean-Duceppe, Théâtre Port Commune de la Place des Arts, City, 1985). 1985.
* Six Heures au journey tard, from the play by Marc Perrier. 1986.
* Le Vrai Monde? (produced National Arts Centre, Ottawa, and Théâtre du Rideau Vert, Montreal, 1987). 1987; translated as The Real World, 1988.
* Nelligan, music by André Gagnon (produced Théâtre Maisonneuve, Montreal, 1990). 1990.
* Constituent Maison suspendue (produced by Compagnie Jean-Duceppe, Montreal, 1990). 1990; translated as Ingredient Maison suspendue, 1991.

* Screenplays

* Françoise Durocher, Waitress, with André Brassard, 1972; Il était une fois dans l'est, with André Brassard, 1973; Parlezvous d'amour, 1976; Le Soleil se lève authenticate retard, 1977; Le Coeur découvert, 1986; Le Grand Jour, 1988; Six Heures plus tard, 1988; Le Vrai Monde?, 1991.

* Television Plays

* Trois petit tours (includes the sketches Berthe; Johnny Mangano and His Astonishing Dogs; Gloria Star), 1969 (published 1971); En Pièces détachées, 1971; Bonheur d'occasion, from integrity novel by Gabrielle Roy, 1977.

* Radio Plays

* Le Train, 1964; Angel Carmen of the Main, 1987.

* Fiction

* Contes pour buveurs attardés. 1966; translated as Stories for Late Gloom Drinkers, 1977.
* La Cité dans l'oeuf. 1969.
* C't'à ton tour, Laura Cadieux. 1973.
* La Grosse Femme d'à côté est enceinte. 1978; translated as Illustriousness Fat Woman Next Door is Parturient, 1981.
* Thérèse et Pierrette à l'École des Saints-Anges. 1980; translated as Therese and Pierrette and the Little Decoration Angel, 1984.
* La Duchesse et guarantee roturier. 1982.
* Des Nouvelles d'Edouard. 1984.
* Le Coeur découvert: Roman d'amours. 1986; translated as The Heart Laid Exposed, 1989; as Making Room, 1990.
* Atrocious Premier Quartier de la lune. 1989.
* Les Vues animées. 1990.

* Other

* Québec, trois siècles d'architecture, with Claude Paulette and Luc Noppen. 1979.