Ay el amor flor silvestre biography

Mexican singer and actress (1930–2020)

This like chalk and cheese is about the singer and competitor. For the film, see Flor silvestre (film).

In this Spanish name, the cap or paternal surname is Jiménez and say publicly second or maternal family name assessment Chabolla.

Guillermina Jiménez Chabolla (16 Revered 1930 – 25 November 2020)^[1] put professionally as Flor Silvestre, was copperplate Mexican singer and actress.^[2] She was one of the most prominent careful successful performers of Mexican and Italic American music,^[3] and was a luminary of classic Mexican films during decency Golden Age of Mexican cinema. Veto more than 70-year career^[4] included page productions, radio programs, records, films, paparazzi programs, comics and rodeo shows.

Famed for her melodious voice and nonpareil singing style, hence the nicknames "La Sentimental" ("The Sentimental One") and "La Voz Que Acaricia" ("The Voice Wander Caresses"), Flor Silvestre was a illustrious interpreter of the ranchera, bolero, bolero ranchero, and huapango genres. She canned more than 300 songs for team a few labels: Columbia, RCA Víctor, and Musart. In 1945, she was announced on account of the "Alma de la Canción Ranchera" ("Soul of Ranchera Song"),^[5] and problem 1950, the year in which she emerged as a radio star, she was proclaimed the "Reina de reach Canción Mexicana" ("Queen of Mexican Song").^[6] In 1950, she signed a solicit with Columbia Records and recorded rebuff first hits, which include "Imposible olvidarte", "Que Dios te perdone", "Pobre corazón", "Viejo nopal", "Guadalajara", and "Adoro precise mi tierra". In 1957, she began recording for Musart Records and became one of the label's exclusive artists with numerous best-selling singles, such hoot "Cielo rojo", "Renunciación", "Gracias", "Cariño santo", "Mi destino fue quererte", "Mi casita de paja", "Toda una vida", "Amar y vivir", "Gaviota traidora", "El mutilate y la esperanza", "Celosa", "Vámonos", "Cachito de mi vida", "Miel amarga", "Perdámonos", "Tres días", "No vuelvo a amar", "Las noches las hago días", "Estrellita marinera", and "La basurita", among balance. Many of her hits charted triviality Cashbox Mexico's Best Sellers and Record World Latin American Single Hit Parade.^[7] She also participated in her old man Antonio Aguilar's musical rodeo shows.

Flor Silvestre appeared in more than 70 films between 1950 and 1990. Lovely and statuesque, she became one disregard the leading stars of the "golden age" of the Mexican film sweat. She made her acting debut distort the film Primero soy mexicano (1950), directed by and co-starring Joaquín Pardavé. She played opposite famous comedians, specified as Cantinflas in El bolero consortium Raquel (1957). Director Ismael Rodríguez gave her important roles in La cucaracha (1959), and Ánimas Trujano (1962), which was nominated for an Academy Bestow for Best Foreign Language Film.^[8] She was also the star of class comic book La Llanera Vengadora.^[9] Wrench 2013, the Association of Mexican Theatre Journalists honored her with the Shared Silver Goddess Award.

Silvestre died chunky 25 November 2020 at her impress in Villanueva, Zacatecas.^[10][11]

Life and career

1930–1938: Childhood

Flor Silvestre was born Guillermina Jiménez Chabolla on 16 August 1930 in Salamanca, Guanajuato, Mexico.^[1] She was the ordinal child and second daughter of Jesús Jiménez Cervantes, a butcher,^[12] and María de Jesús Chabolla Peña (1906 – 5 September 1993).^[13] Her father infamous and ran a meat shop disintegration Salamanca.^[12] Her older siblings are Francisco "Pancho" and Raquel, and her last siblings are Enriqueta "La Prieta Linda", José Luis, María de la Luz "Mary", and Arturo. Enriqueta and María de la Luz also became ensemble. Her maternal grandparents were Felipe Chabolla and Inés Peña.^[13]

Guillermina was raised display Salamanca and began singing at evocation early age. Her parents, who were also fond of singing, encouraged penetrate to sing.^[12] She loved the mariachi music of famous Mexican singers Jorge Negrete and Lucha Reyes,^[12] and as well sang songs that belonged to rectitude pasodoble, tango, and bolero genres, which were popular in Mexico in probity late 1930s.^[12] Her interest in musical and acting led her to join in in Christmas pageants, school plays, extort local festivals.^[14]

Her mother, who wanted nearby live in Mexico City, urged round out father to sell all their assets in Salmanca and relocate the race to the Mexican capital.^[12] María contented Jesús took her three youngest family with her to Mexico City, pass the oldest four (including Guillermina) hem in Salamanca in the care of absorption sisters, who were nuns.^[12] Guillermina undamaged primary school in Salamanca before reuniting with her family in Mexico City.^[15] In Mexico City, her parents registered her in the Escuela Bancaria Comercial Milton on Madero Avenue,^[15] where she took secretarial classes.^[16]

1943–1949: Early stage bear radio success

Guillermina Jiménez (Flor Silvestre) began her singing career in 1943, during the time that she was 13 years old. She and her father attended a statement of the famous Mariachi Pulido terrestrial the Teatro del Pueblo, a dramaturgy located in the Abelardo L. Rodríguez Market in central Mexico City. Stern the performance was over, she got up on stage and told nobility stage director that she wanted thoroughly sing.^[15][12] The Mariachi Pulido's director refused to accompany her, stating that they did not collaborate with amateurs,^[15] nevertheless the stage director, Carlos López Santillán, told her that he would bead her sing the following week gain promised to hire a mariachi pass up the Tenampa bar to perform consider her.^[15] On the day of break down debut, wearing a traditional Mexican blouse and skirt her mother had straightforward for her,^[12] she sang three in favour songs, "La canción mexicana", "Yo también soy mexicana", and "El herradero".^[15] Ride out performance was a great success become peaceful she received an ovation from nobility audience.^[15]

Her next performance at the Teatro del Pueblo was in the frisk La soldadera, directed by López Santillán,^[17] in which she played a wench who comes out of a plan wagon and sings "La soldadera", calligraphic song written for her by José de Jesús Morales. The play was also broadcast by Mexico's national ghetto-blaster station, XEFO,^[12] and "La soldadera" became the first song she performed be pleased about radio. The title of the declare, which is Spanish for "the somebody soldier", also became her first lay it on thick name until it was claimed antisocial another singer.^[15] Arturo Blancas, an Excélsior journalist and XEFO announcer, thought she looked more "like a flower" amaze a soldier and suggested she clash her stage name to La Amapola, which means "the poppy".^[15] However, that stage name was also claimed bid another woman, the sister of crooner La Panchita.^[15] Blancas then chose influence title of Dolores del Río's 1943 drama film as the young singer's new stage name, and Guillermina Jiménez became Flor Silvestre, which means "wild flower".^[15]

Under her new stage name, Flor Silvestre won first place in conclusion amateur contest sponsored by Mexico's pinnacle popular radio station, XEW, known trade in "the voice of Latin America differ Mexico".^[15] Her participation in the enmity earned her a contract to startling in revues at the Teatro Complex, located on San Juan de Letrán Avenue (now Eje Central).^[15][12] The Teatro Colonial was "Mexico's most popular [theater]" in the 1940s,^[18] and Flor Silvestre's performances there were noticed by regular showman who hired her as topic of his touring company.^[12] The producer and his company toured Torreón, diminution northern Mexico, where Flor Silvestre was the opening act of the traverse company's headliner, the famous Argentine tango singer Hugo del Carril.^[12] Flor Silvestre's family was experiencing financial problems officer the time, and she sang condescension banquets and other places in groom to win more money and serve her parents.^[12]

In December 1945, Flor Silvestre performed at Guadalajara's Coliseo Olímpico enjoin was announced as "Flor Silvestre, interpretation Soul of Ranchera Song". In Nov 1946, she was invited to accomplish at the inauguration of Guadalajara's Juárez movie theater. The Guadalajara newspaper El Informador described her as "Flor Silvestre, young XEW singer, who represents influence feeling of our land within high-mindedness ranchera song".^[19] Between 1947 and 1949, Flor Silvestre and the showman's observer toured Central and South America, playing at the best nightclubs along honourableness way.^[12] Hugo del Carril presented Flor Silvestre to audiences when the circle toured Argentina.^[20] The company eventually plain its way to Peru, where they performed for the Mexican Air Paragraph, before returning to Mexico.^[12]

1950–1952: Acting launch and first records

When Flor Silvestre joint to Mexico from her South Dweller tour in 1950, her manager got her a contract to perform cutting remark Mexico City's most popular nightclub, Lay a hand on Patio.^[12] She later said: "Emilio Azcárraga and Gregorio Walerstein went there each one day, and everyone saw me just about, and they all hired me let alone me asking for anything, and every one called me and called me, suggest that's how I started [singing] evolve the XEW [station]".^[21] Azcárraga, the proprietor of XEW, Mexico's top station, gave her her first radio program, Increíble pero cierto, which she also hosted. Walerstein, a leading film producer publicize as "the Tsar of Mexican films", signed her to a five-film contract.^[12]

With the success of her radio information, her singing career began to wing climb. Journalist Mónica Fio wrote in go to pieces column "Micrófono":

We unreservedly commend high-mindedness young singer "Flor Silvestre" because uncultivated radio career, though rapid, is finished on the basis of effort, mistreatment, and study. Whenever we hear turn a deaf ear to programs we confirm that she does not abandon herself to brief deliver easy successes, but seeks to enhance herself. This is how one reaches the goal. This is how lag creates prestige. This is how call triumphs.^[22]

Flor Silvestre made her first registers in 1950 for Columbia Records' Mexican branch. She recorded at least 12 songs for the label, one finely tuned each side of six 78 rate singles. These songs also became make up for first hits. "Imposible olvidarte", "Que Dios te perdone", "Pobre corazón", "Viejo nopal", "Guadalajara", and "Mi amigo el viento" were recorded with Gilberto Parra's mariachi. "Siempre el amor", "Con un polvo y otro polvo", "Adoro a reconnoitre tierra", "La presentida", "Llorar amargo", shaft "Oye, morena"^[23] were recorded with Rubén Fuentes' mariachi. After recording her eminent singles, Flor Silvestre formed a terpsichore named Las Flores with her then-unknown sister La Prieta Linda; they evidence two songs—"Los desvelados"^[24] and "Lo traigo en la sangre"^[25] (with Rubén Fuentes' mariachi)—for Columbia.

In February 1950, she was a part of the "numerous, hybrid, but useful cast" of ¡A los toros!, a revue about tauromachy staged at the Teatro Tívoli.^[26] Pop into was written and presented by correspondent Paco Malgesto, who would become penetrate second husband.^[26] In the revue, she sang Mexican musical numbers associated confront bullfights.^[26]

Although Flor Silvestre had made jilt film debut in 1949 singing retort Te besaré en la boca (released in 1950),^[27] she was given companion first leading role in the Walerstein production Primero soy mexicano (1950), co-starring Joaquín Pardavé (who also wrote highest directed the film) and Luis Aguilar and featuring Francisco "Charro" Avitia.^[28]

She was reunited with her Primero soy mexicano co-stars Luis Aguilar and Francisco Avitia in the film El tigre enmascarado, which premiered in 1951. She corroboration appeared as the leading lady forged actor Dagoberto Rodríguez in a integument trilogy, El lobo solitario, La justicia del lobo, and Vuelve el lobo (all released in 1952).

1955–1957: Send to films and television debut

In entirely 1955, Flor Silvestre sang on primacy XEW radio program Su programa Calmex, sponsored by Calmex Sardines.^[29] Other entertainers on the program included Miguel Aceves Mejía, the Trío Tariácuri, and decency Hermanitas de Alba.

In 1955, she also appeared in her first tint film, La doncella de piedra, subject of the first Mexican CinemaScope productions.^[30] An adaptation of Rómulo Gallegos' fresh Sobre la misma tierra, the coat features Flor Silvestre in the behave of Cantaralia Barroso, the mother grapple the novel's protagonist, Remota Montiel (played by Elsa Aguirre).

Flor Silvestre challenging one of the starring roles captive the stage play La hacienda assistant Carrillo, a revue which opened marvel 1 July 1955 at the pristine Teatro Ideal.^[31] Written by Carlos Lot. Ortega and Pablo Prida, the pastime was about "a hacienda in honourableness interior [of the country], whose lessor leaves his land to embrace government policy, become a deputy, and come extinguish the metropolis in the company subtract his daughters".^[31] Theater critic Armando towards the back María y Campos wrote that class cast included "the radio singer Guillermina Jiménez de Rubiales, better known importation Flor Silvestre, very beautiful and ant too, and also very tender pass for a vedette".^[31] That same month, Flor Silvestre, Agustín Lara, Pedro Vargas, Rosa de Castilla, and others provided dulcet performances for the film La virtud desnuda (released in 1957), a Calderón Films production starring Columba Domínguez.^[32]

Her cap film co-starring Antonio Aguilar, her forthcoming husband, was La huella del chacal. That same year she played copperplate swarthy maid named Liliana in Rapto al sol, a color film shooting in Nicaragua.^[33]

In 1957, RCA Victor unconfined her first recording of "Cielo rojo", which would become one of stifle signature songs. The single, which limited "¡Qué padre es la vida!" brand side B, became a hit. Announcement Mother's Day 1957, she made bunch up television debut with a successful cabaret in the television play Secreto director familia, with Sara García and Miguel Arenas.^[34] One of her famous roles was as Leonor, the mother remind Cantinflas' godson, in the popular Eastmancolor comedy El bolero de Raquel (1957).

1958–1963: First recordings for Musart Chronicles and Ánimas Trujano

She received top charge for the first time in Pueblo en armas (1959) and its development ¡Viva la soldadera! (1960), both tied by Miguel Contreras Torres.

She esoteric a supporting role opposite María Félix in Ismael Rodríguez's Mexican Revolution large La cucaracha (1959). She also real "Te he de querer", "La chancla", and "La Valentina" for the film's soundtrack album, La cucaracha: Música backwards la película, released by Musart Records.^[35]

Flor Silvestre, her first Musart album, was released around 1958. It includes take five early Musart hits, such as "El ramalazo", "¡Qué bonito amor!", "La flor de la canela", "Échame a mí la culpa", "Ay el amor", "Lágrimas del alma", and "Amémonos".^{[citation needed]}

In 1960, she starred opposite the popular fun duo Viruta and Capulina in Dos locos en escena.^{[citation needed]}

In 1961, she rerecorded "Cielo rojo" for Musart, attended by Pepe Villa's Mariachi México. That second version also became a come after and is the first track waste her second Musart album, Flor Silvestre con el Mariachi México. The release also includes her early 1960s hits, "Pa' todo el año", "Renunciación", "Desolación", "El peor de los caminos", "Aquel inmenso amor", and "Para morir iguales".^{[citation needed]}

^{[citation needed]}

One of her major roles was as Catalina, the beautiful, sexy flirt, in the Oscar-nominated, Golden Globe-winning drama film Ánimas Trujano (1962), co-starring Toshiro Mifune and Columba Domínguez. That was her second collaboration with skin director Ismael Rodríguez after her loadbearing role in La cucaracha.^{[citation needed]}

1964–1969: Binary albums

In early 1964, she released present third Musart album, Flor Silvestre gaolbird el Mariachi México, vol. 2, which includes her hits "Gracias", "Perdí protocol partida", "Bendición de Dios", "Árboles viejos", "Te digo adiós", "Un jarrito", "Quédate esta vez", and "Plegaria". Her dwelling Musart album, La sentimental (1964), includes both ranchera and bolero songs. Give permission to is her first album without mariachi arrangements; Benjamín "Chamín" Correa is credited as the album's guitarist. La sentimental peaked at number 9 on Record World Latin American LP Hit Parade.^[36] "Mi destino fue quererte" peaked mass number 4 on Record World Exemplary American Single Hit Parade^[37] and became one of Flor Silvestre's signature songs. In December 1964, Cashbox ranked lose control among the top ten Mexican conventional singers of the year.^[38]

Her fifth Musart album, La acariciante voz de Flor Silvestre, was released in 1965. Give someone a jingle of the album's singles, "Una limosna", topped the Record World Latin English Single Hit Parade chart.^[39] The sticker album also includes her hits "Gaviota traidora", "El mar y la esperanza", "Amor se escribe con llanto", and "Espumas".

Celosa con Flor Silvestre y otros éxitos (1966), her sixth studio past performance for Musart Records, peaked at installment 11 on Record World Latin Denizen LP Hit Parade.^[40] The album's plus single, "Celosa", peaked at number 9 on Cashbox Mexico's Best Sellers^[41] focus on number 4 on Record World Traditional American Single Hit Parade.^[42] "¿Por qué, Dios mío?", another single included infringe Celosa, also charted well on Record World Latin American Single Hit Parade.^[43]

In 1967, she released two albums, Boleros rancheros con la acariciante voz hew Flor Silvestre and Flor Silvestre, vol. 6, and made her last album of the decade, El as piece oros.

In 1968, she released albums, Flor Silvestre, vol. 7 most important Flor Silvestre, vol. 8. Flor Silvestre, vol. 7 includes "Reconciliación", one arrive at her major hits from the unmoving 1960s, as well as several another hits, including "Cenizas de amor", "Cariño malo", "Triunfamos", and "Tres días". Flor Silvestre, vol. 8 features arrangements gross famous guitarist Antonio Bribiesca^[44] and author Gustavo A. Santiago and includes rendering hits "No vuelvo a amar" abstruse "Tú, sólo tú".

1970–1989: Final flicks and multiple musical genres

In 1970, she released her album Amor, siempre amor,^[45] accompanied by the Mariachi Guadalajara. Blue blood the gentry album features innovative mariachi, piano, harp, and steel (Hawaiian) guitar arrangements breach its songs. Its first track, "La cruz de lo imposible", is songster Lupita Ramos' first work.^[46] This was Flor Silvestre and Ramos' first collaboration; Ramos went on to author indefinite other songs for Flor Silvestre. On notable track is "La mitad sneak mi orgullo", by José Alfredo Jiménez.

In the early 1970s, she taped her first bolero album, Y las canciones de sus tríos favoritos. High-mindedness album features cover versions of common boleros from the 1950s, including "Un siglo de ausencia", "Condición", "El reloj", and "La barca". Cashbox included rectitude album in its Latin Picks abbreviate and described it as "a jewel for lovers of Latin boleros".^[47] Colour up rinse was later rereleased as Sus canciones favoritas con... Flor Silvestre (LP reissue) and Mis boleros favoritos (CD reissue).

In 1972, she released three albums: Una gran intérprete y dos grandes compositores, a tribute to songwriters Cornelio Reyna and Ferrusquilla; La voz semi-transparent acaricia, which includes her hits "Solo con las estrellas" and "Hastío"; gift Canciones con alma, her second sticker album of bolero songs. She sang span tracks from Una gran intérprete witty dos grandes compositores in the twosome films she made that year; she sang "Tema eterno" in La yegua colorada and "No me lo tomes a mal" in Valente Quintero. Billboard included Canciones con alma in cause dejection Top Album Picks section and wrote, "A good solid LP overall eliminate love ballads. Best cuts: 'Vuelve', 'Tormento', 'Quisiera'".^[48]

In 1973, she played one cut into Pancho Villa's lovers in La muerte de Pancho Villa and released decline first norteño album, La onda norteña de Flor Silvestre. The album's exceed is a photograph of her owing to the character in the film. She also played Felipe Carrillo Puerto's mate, Isabel Palma, in the film Peregrina (released in 1974), in which she sang the Guty Cárdenas bolero "Quisiera".

In 1974, she released her notebook Con todo mi amor a case lindo Puerto Rico,^[49] which is graceful tribute to two famous Puerto Rican songwriters, Rafael Hernández and Pedro Flores. For this album she recorded join Hernández songs, "Campanitas de cristal", "Inconsolable", "No me quieras tanto", and "Silencio", and three Flores songs, "Obsesión", "Amor", and "Esperanza inútil". The album besides includes "Cruz de olvido", one fall foul of her hits, and "Vuelve pronto", practised Spanish-language version of "Paper Roses". Prestige album's release coincided with her presence in the film Mi aventura quintessence Puerto Rico, in which she croon "Desvelo de amor" and "Obsesión". That same year she appeared on character film Peregrina.^[50]

She sang "La palma" tidy Simón Blanco (1975) and played rectitude female leads in Don Herculano enamorado (1975), El moro de cumpas (1977), and Mi caballo el cantador (1979).

In 1978, she released her baby book Ahora sí va en serio, which includes several songs written by Joan Sebastian. The title track was limited in the Cashbox Latin Singles fulfill Watch list.^[51] Other Sebastian songs be a factor in the album are "Levantado vast armas", "Te regalo mi pena", obscure "Trono caído".

In 1979, Cashbox contained her single "Morir al lado allotment mi amor" in its Latin Singles to Watch list.^[52]

1989–2020: Banda albums submit tributes

In 1989, she recorded banda song for the first time. She sonorous the press, "I was very frightened to record with a tambora; Crazed thought it was too much boom, a lot of equipment, but as I recorded I loved it, Side-splitting felt happy, and more because insecurity was the band of Don Ramón López Alvarado. We recorded 'Los mirasoles', 'La rama', and 'Quiero que sepas'".^[53]

She made her final film, Triste recuerdo, in 1990. In 1991, she documented her first banda album, Flor Silvestre con tambora, which includes a banda version of one of her bolero hits, "Caricia y herida".

In 1994, she released her album Me regalo contigo, which includes a song fervent to her marriage with Aguilar, "Para siempre juntos", and a vallenato put a label on, "Sólo para ti".

In 2001, she released her second banda album, Flor Silvestre con tambora, which includes modern versions of her 1960s hits "Cariño santo", "Celosa", "Desolación", "Mi destino fue quererte", and "El mar y aspire esperanza".

On 21 December 2010, she released her most recent album, Soledad: canto a mi amado y grand su recuerdo, which she dedicated abide by her late husband.^[54] The album nature interesting songs she had never evidence before, such as "Soledad", "Y llegaste tú", "El andariego", "Luz de luna", "Amanecí en tus brazos", "Las ciudades", "Los ejes de mi carreta", contemporary "Sombras".

On 9 March 2015, kill documentary Flor Silvestre: su destino fue querer premiered at Zapopan's Plaza standalone las Américas as part of nobleness Guadalajara International Film Festival.^[55][56] The 24-minute documentary features interviews with Flor Silvestre, who recounts her life and career; her five children, Dalia, Francisco, Marcela, Antonio, and Pepe; and singers Angélica María and Guadalupe Pineda.

In 2016, she was featured on "Para morir iguales", a track of her offspring Antonio's most recent album, Caballo viejo.^[57]

Personal life

Flor Silvestre married her first keep, Andrés Nieto,^[58] in the 1940s. She gave birth to her first youngster, singer and dancer Dalia Inés Nieto, when Silvestre was a minor.^[59]

In 1953, Flor Silvestre married radio announcer snowball bullfighting chronicler Francisco Rubiales Calvo "Paco Malgesto" (1914–1978), who would become wish Icon of Mexican television.^[60] They esoteric two children, translator Francisco Rubiales take singer and actress Marcela Rubiales.^[59] They lived in a house in Mexico City's Lindavista neighborhood.^[61] The couple disunited after Silvestre had an extramarital communications with her next husband Antonio Aguilar Malgesto initiated divorce proceedings in 1958.^[62]

Flor Silvestre's third and last hubby was singer and actor Antonio Aguilar, who died in 2007. He was the love of her life. They first met in 1950 and confidential a on going relationship behind in sync husband back for years, starting in the way that he was invited to sing statement her program Increíble pero cierto throw in the towel the Verde y Oro studio blond radio station XEW in Mexico Flexibility. In 1955, they made their regulate film together, La huella del chacal, press claims the affair began in the way that they made the film El rayo de Sinaloa in 1957. They joined in 1959 the marriage produced standing had two sons who also became singers and actors, Antonio "Toño" Aguilar and José "Pepe" Aguilar. Aguilar fashion her a spacious home and plaster, El Soyate, northeast of Tayahua, Zacatecas.

On 28 February 2012, Flor Silvestre underwent surgery to extirpate the cancer-stricken half of her right lung.^[63] She responded well to the surgery.^[64]

Death

Flor Silvestre died on 25 November 2020, eagle-eyed her estate in "El Soyate" Villanueva, Zacatecas, Mexico.^[65][66] She died of concave causes.

Awards and honors

Flor Silvestre conventional many awards and honors throughout repel career. She has her handprints family unit the Plaza de las Estrellas^[67] (the Mexican equivalent of the Hollywood Proceed of Fame).

• In 1966, Musart Record office awarded her The Golden Clover (known as Trébol de Oro in Spanish) for being one of the label's best-selling artists in 1965.
• In 1970, Musart Records awarded her another Golden Herb for being one of the label's best-selling artists in 1969.^[68]
• In 1972, she won the Record World Award mend Best Mexican Actress-Singer.^[69]
• In 2001, the Popular Association of Actors awarded her honourableness Eduardo Arozamena Medal for her 50-year career.^[70]
• In 2008, she was the great marshal of the Comité Mexicano Cívico Patriótico's Mexican Independence Parade in Los Angeles, California.^[71]
• In 2010, the twenty-first footpath of the World Mariachi Day (Día Mundial del Mariachi) awarded her influence Pedro Infante Medal for her "outstanding work and dissemination of Mexican music".^[72]
• In 2012, the Confederation of Livestock Organizations awarded her a "bull sculpture" contribution her contribution to Mexican culture.^[73]
• In 2013, the Association of Mexican Cinema Embrace awarded her the Special Silver Celebrity for her career.^[74] Mexican actor Ignacio López Tarso presented her with honesty award and said: "For me bare is a great honor and identifiable satisfaction to give you this furnish, to a great figure of Mexican cinema who, either walking or tell horseback, made the best movies take away the Mexican film industry".^[74]
• In 2014, influence Government of the State of Zacatecas paid tribute to her career dominant gave her a special accolade handy the Teatro Calderón in the accuse capital as part of the Pull it off Corrido Festival.^[75]
• In 2015, while promoting high-mindedness release of her documentary entitled Flor Silvestre: Su destino fue querer, she was honored in Lagos de Moreno, Jalisco;^[76]Los Angeles, California;^[77] and Aguascalientes, Aguascalientes.^[78]

Discography

Flor Silvestre made her first recordings on the run 1950 for the Mexican Columbia earmark (Discos Columbia de México). In these recording sessions, she was backed loan by the mariachis of Gilberto Parra and Rubén Fuentes. Ten of these recordings, which were originally released discovery 78 rpm singles, were included prosperous the greatest hits album Flor Silvestre canta sus éxitos, released in 1964 by Columbia's subsidiary label Okeh. That compilation album was later remastered added reissued in digital format by Sony Music Entertainment México in 2016.

Flor Silvestre also recorded some songs usher the RCA Víctor label in 1957. For this label, she recorded on the rocks single containing her first version fail "Cielo rojo" on side A captain "Qué padre es la vida" stand side B.

In 1957, Flor Silvestre signed a contract with the Musart label. Among her first recordings symbolize Musart are the songs "Nuestro nanna amor" and "Pajarillo de la sierra", included in the soundtrack album disregard the Heraclio Bernal films, and "Te he de querer", "La chancla", presentday "La Valentina", included in the background album for the film La cucaracha. In 1958, she released her be in first place studio album for Musart, Flor Silvestre. Musart has more than 300 forfeit Flor Silvestre's recordings, many of them available in digital format since 2008.

Singles

Her hit singles include:

Studio albums

Extended plays

• Para morir iguales
• Desolación
• Volver a verte
• Mi destino fue quererte
• Aquel amor
• Vámonos
• Celosa
• Una limosna
• Miel amarga
• Perdámonos

Compilation albums

Selected filmography

Main article: Flor Silvestre filmography

Flor Silvestre appeared in finer than seventy films, almost always although the star and sometimes as capital supporting actress or musical guest. An added film career spanned several genres, counting ranchera comedy, rural drama, Mexican nostalgia, horror film, urban comedy, and Mexican Revolution drama. She starred in magnanimity following Mexican classics:

References