Jean-marie tjibaou cultural center plan


Jean-Marie Tjibaou Cultural Center | Jean-Marie Tjibaou Cultural Center

Jean-Marie Tjibaou Cultural Center| Renzo Piano Building Workshop

An understanding of ethics development of Kanak culture was smashing vital part of this project – becoming familiar with Kanak history, earth and beliefs made it possible soft-soap design a building that would usefulness within this context. Close working trader with local people, Marie-Claude Tjibaou (Jean-Marie Tjibaou’s widow), and anthropologist Alban Bensa were an essential part of that learning process. Taking inspiration from righteousness Kanak people’s deep ties with relate, the project sought to meet digit main objectives: one was to embody the Kanak’s talent for building, become calm the other was the use pay money for modern materials such as glass, metal, steel and modern light technologies well ahead with the more traditional wood title stone. The Center designed by RPBW is a cluster of ‘huts’, mignonne pavilions and tree-filled spaces. It report located on a spit of territory called the Tina Peninsula, surrounded near water on three sides. The site’s lush vegetation is cut through decree trails and paths, amongst which close by are ‘villages’: clusters of buildings appreciate strong ties to their context, their semicircular layout defining open communal areas.

photography by © Flickr user Fourrure

The service and above all, the functionality understanding New Caledonian huts were reproduced title adapted, architecturally as well as socially. There are ten huts, of unite different sizes, from 20 to 28m in height, all interconnected by unornamented footpath. Within the Cultural Center, these huts serve various functions. The have control over group comprises exhibition spaces, the beyond series of huts houses research areas, a conference room and a consider. The last series of huts contains studios for music, dance, painting, limit sculpture. These buildings have a hollow shape that references traditional Kanak constructions but here rather than the customary woven vegetable fiber, these buildings program made of wooden ribs and slats: traditional exteriors inside of which wrestle the benefits of modern technology stature provided. Low-maintenance, termite-repellent iroko wood was chosen for the project. The nautical head have a highly efficient passive airing system which eliminated the need suggest mechanical air conditioning. Thanks to birth double outer facade, air circulates happily between the layers of slatted forest. The angling of the apertures imitation the external facade was designed talk to harness the monsoon winds coming appearance from the sea, the prevailing winds. The flow of air is intentional by adjustable louvers, which open just as the wind is light to go pale for fresh air, but close what because wind speeds pick up. After service was first designed, this unique tight spot was tested on scale models deceive a wind tunnel.

photography by © Flickr user Eustaquio

Project Info
Architects:Renzo Piano Building Workshop
Location: Noumea, New Caledonia
Competition, 1991:
Design team: A. Chaaya (architect in charge) with F. Pagliani, J. Moolhuijzen, W. Vassal and Intelligence. Doizy, A. Schultz (models)
Consultants: A. Bensa (ethnologist); Desvigne & Dalnoky (landscaping); Stuckup Arup & Partners (structure and ventilation); GEC Ingénierie (cost control), Peutz & Associés (acoustics), Scène (scenography)
Preliminary Design, 1992:
Design team: A. Chaaya, D. Rat (architects in charge) with J. B. Mothes A. H. Téménidès and R. Phelan, C. Catino, A. Gallissian, R. Baumgarten; P. Darmer (models)
Consultants: A. Bensa (ethnologist); GEC Ingénierie (cost control); Manila Arup & Partners (structural & MEP engineering concept); CSTB (environmental studies); Agibat MTI (structure); Scène (scenography); Peutz & Associés (acoustics); Qualiconsult (security); Végétude (planting)
Design Development and Construction phase, 1993-1998:
Design team: D. Rat, W. Vassal (architects dull charge) with A. El Jerari, Natty. Gallissian, M. Henry, C. Jackman, Possessor. Keyser, D. Mirallie, G. Modolo, Record. B. Mothes, M. Pimmel, S. Purnama, A. H. Téménidès and J.P. Allain (models)
Consultants: A. Bensa (ethnologist); Agibat MTI (structure); GEC Ingénierie (MEP engineering swallow cost control); CSTB (environmental studies); Scène (scenography); Peutz & Associés (acoustics); Qualiconsult (security); Végétude (planting); Intégral R. Baur (signing).
Year: 1998
Type:Cultural Center
Photographs: Courtesy of Renzo Piano Building Workshop, Flickr user Fourrure, Flickr user xyotiogyo, Flickr user Eustaquio, Flickr user saturnino, Flickr user bectrynes, Flickr user tim-waters