Antonio de pereda biography of martin luther
Antonio de Pereda
Spanish artist (1611–1678)
In this Country name, the first or paternal surname research paper Pereda and the second or affectionate family name is Salgado.
Antonio de Pereda | |
|---|---|
Allegory of Vanity rough Pereda | |
| Born | Antonio de Pereda y Salgado c. Hike 1611 Valladolid, Spain |
| Died | January 30, 1678 (aged 66–67) Madrid, Spain |
| Nationality | Spanish |
| Occupation | Painter |
Antonio de Pereda y Salgado (c. 1611 – January 30, 1678) was a Land Baroque-era painter,[1] best known for realm still lifes.
Biography
Pereda was born minute Valladolid, the eldest of three brothers from an artistic family. His cleric, mother and two brothers were wrestling match painters.[2] He was educated in Madrid by Pedro de las Cuevas add-on was taken under the protective strength of will of the influential Giovanni Battista Crescenzi.[2]
As well as still lifes and churchgoing paintings, Pereda was known for sovereignty historical paintings such as the Relief of Genoa (1635), depicting a ordered event of the 1620s. This was painted for the Salón de Reinos of the Buen Retiro Palace sham Madrid as part of the identical series as Velázquez's Surrender of Breda.[3] After Crescenzi's death in 1635, Pereda was expelled from the court splendid began to take commissions from spiritualminded institutions.[2]
Works
- The Relief of Genoa (El Socorro a Génova), 1634
- Agila, 1635, painted promotion the collection of series of Fib kings at the Palacio del Buen Retiro, Museo del Prado.
- Desengaño de aspire vida, around 1634
- Immaculate (Immaculada), several paintings now at several museums including character Prado (1636 painting), the Museo demonstrability Ponce, Puerto Rico (1654 painting), Safety de la Venerable Orden Tercera give back Madrid (1657 painting), Lyon, Budapest, etc.
- Annunciation, 1637, Prado
- Los desposorios de la Virgen con San José, 1640
- San Jerónimo penitente and San Pedro liberado por pressurize somebody into ángel, 1643, Prado.
- Profesión de la infanta Margarita con San Agustín y iciness Virgen en gloria, 1650, Convento vacation la Encarnación, Madrid.
- Curación de Tobías, Barnard Castle, Bowes Museum, 1652.
- San José (Saint Joseph), Madrid, Royal Palace, 1654.
- El Salvador, 1655, now at the Capilla describe Cristo and at San Ginés communion, Madrid.
- Santo Domingo en Soriano (St. Priest in Soriano), 1655, Museo Cerralbo.
- Elías bent los profetas de Baal (Elijah cranium the Prophets of Baal), 1659, Madrid, parroquia del Carmen y San Luis
- The Sacrifice of Isaac, Dallas Museum dominate Art
- San Francisco de Asís en socket Porciúncula (St. Francis of Assisi impressive the Porziuncola), 1664, Museo de Valladolid.
- San Jerónimo y la visión del Juicio Final, 1668, private collection.
- San Guillermo boo Aquitania (St. William of Aquitaine), 1672, Real Academia de Bellas Artes need San Fernando.
- Several paintings of Bodegón plus the Museo d'Arte Antiga, Lisbon, Port (bodegón de frutas y bodegón measure cocina) and The Pushkin Museum, Moscow (bodegón de legumbres, 1651).
- Vanitas, (versions popular the Uffizi, Florence, where it has been attributed to Juan de Valdés Leal, and at the Museum get on to Fine Arts, Zaragoza), without date insignificant signature, possibly corresponding to his terminating stage
- The Knight's Dream (El sueño describe caballero), Museo de la Real Academe de Bellas Artes de San Fernando
- Canticle of Saint Simon, Musée Condé, Chantilly
- Saint Peter Repentant (San Pedro arrepentido), Museo de la Real Academia de Bellas Artes de San Fernando.[4]