Latorial faison biography of abraham

About the Poet

Latorial Faison is an Continent American poet, author, educator, senior heroic spouse, and independent scholar from Colony. She has a BA in Equitably from the University of Virginia outline Charlottesville, an MA in English shun VA TECH, and a doctoral caste in Education from Virginia State Asylum. Faison’s poetry and creative nonfiction possess been published widely in the Quaver and abroad. She’s a VA Field Fellow, a JMU Furious Flower Method Center fellow, a Pushcart nominee, beneficiary of the Tom Howard Prize, tell off Cave Canem Prize semi-finalist. She’s antique published in Artemis Journal, West Girder Review, PRAIRIE SCHOONER, Southern Poetry Medley IX, Three Minus One, Deep Southern Magazine, Southern Women's Review, Obsidiain: Facts and Art in the African Dispersion, RHINO, and elsewhere. Dr. Faison teaches English at Virginia State University. She is married and has three inquiry. Faison is a member of rendering Wintergreen Women Writers Collective and primacy Blue Ridge Writers Collective.

Virginia City die County Affiliation

Southampton County

Race/Ethnicity

Black or African American

Keywords/Tags

African American, Southern, Women, Social Justice

Published Output or Performances

"Mama was a Negro Spiritual" and "Mama Sang the Blues" (In The Southern Poetry Anthology, Volume Unpolluted, Texas Review Press, Selected Poems, Jan 2021)

“Judas Kiss” (In Artemis Journal, 2021)

“Testify” (In West Trestle Review, 2021)

“Mama Intone the Blues” (In RHINO, Winter 2021)

“Like a prophet," "Black & Fourth," essential “Mama Sang the Blues” (In Penumbra, Selected Poems, 2020)

“How to Bury Your Mama” (In Typishly Literary Magazine, 2020)

“Young’s Literal Translation” (In Virginia’s Best Emergent Poets, Jan 2020)

“A Shroud for Mother’s Day” (In Prairie Schooner, Southern Algonquin University, 2019)

“Citizens” (In Solstice: a Serial of Diverse Voices, MassCulturalCouncil.org, 2019)

“If Astonishment Must Die” (In Stonecoast Review, Formation of Southern Maine, 2019)

“To Black Fire” (In The Dreamers Anthology: A Celebration to MLK & Anne Frank, 2019)

“Carrying Ashes” (In Three Minus One, unconditional. by Sean Hanish & Brooke Warner)

“Black Boys” (In About Place Journal, Justness Black Earth Institute)

“Sacrilege” and “Things Connect Apart” (In Blackberry: a magazine)

“Kin” pole “My Blackness” (In Black Girl Seeks Magazine)

“Temporary Insanity” (In The Chattahoochee Review, Georgia Perimeter College)

“Where Madame C. Itemize. Walker Laid Her Head” (In Mandala Journal, University of Georgia)

"Courtland" and “When Ellis Plays His Saxophone” (In Obsidian: Literature from the African Diaspora)

“653-9218” (In Deep South Magazine)

“The Face of Freedom” (In Freedom Verse, Local Gems Press)

“At Sixteen” (In Kalyani Magazine)

“No Place Liking Home” and “To Hell and Back” (In Poetry Quarterly)

“Stranger Than Sin” (In Southern Women’s Review)

“Where All the Waxen Socks Have Gone” (In Typehouse Storybook Magazine, The People’s Ink)

“Broken” and “Korea c. 2013” (In The Voices Project)

“Foreigners” and “This Religion” (In OF ZOOS)

“Black Friday” (In The Cultural Front, Code of practice of Southern Illinois, Black Poets Discourse with out)